Following in their footsteps.... to Bon
Echo
by Julie Druker
Jim and Sue Waddington pose where A..J.
Casson painted one of the many works he made of Bon Echo Park
Art enthusiasts John and Sue Waddington
have been following in the footsteps of Canada's most renowned
landscape painters, The Group of Seven, for 30 years and on August 16
their travels landed them in Bon Echo Provincial Park. This was the
couple's first ever visit to the park and its purpose was two-fold -
firstly, to accept an invitation by Derek Maggs, Chair of the Friends
of Bon Echo, who had invited the couple to present their power point
presentation of “Following in the Footsteps of the Group of Seven”.
The show is currently on display at the McMichael Canadian Art
Collection in Kleinburg, ON until September 6, 2010 and it follows
the couple as they have hiked, paddled and portaged their way through
the Canadian wilderness, tracking down and photographing the actual
views from which various well-known works by members of the Group of
Seven were painted.
The presentation at Bon Echo included
an overview of the various methods the couple uses to locate the
views which often begins in the winter months with a search through
the National Archives for paintings and sketches, the scouring of
various land and contour maps, and the reading of countless books and
letters written by and about the group, which often contain hints as
to where the particular views are located. The hunt then begins in
the summer where, armed with their findings, the couple pack up their
supplies and head out into the wilderness.
Monday's presentation included the
couple's first discovery in 1972 of the exact location from which
A.Y. Jackson's Hills, Killarney, Ontario (Nellie Lake), was painted
in 1933, over 75 years ago. The discovery came about when Sue, a long
time rug hooker wanted to create a rug based on that particular
painting. She and Jim, accompanied by their two young children, set
out on a week-long excursion to the Killarney Park Lake, which Jim
recalled “was a very hard lake to get to”, in the hopes of
finding that one particular view. Funnily enough it was somewhat by
chance on a family blueberry picking expedition that took them higher
into the Killarney hills than they had intended, that Sue came upon
the exact location. Finding the view was the couple’s first “eureka
moment”, and since then they have located 200 more.
The presentation included many of their
finds since then including Tom Thomson's, St Thomas Church, c. 1905,
A.J. Casson's A Little Bay in La Cloche Channel, c.1958, A.Y.
Jackson's Grace Lake, Algoma, c.1939 as well as works by Arthur
Lismer like Bright Land, c.1938 and Little Lake, Bay Finn. c. 1932
and Twisted Pine, c.1935 and Mirror Lake, c.1929 by Franklin
Carmichael.
The part of the presentation that
solicited the loudest “ooh” and “aah” responses from viewers
came repeatedly whenever the slide of a particular painting was
juxtaposed beside one of the Waddingtons' stunning photographs, which
in many cases, was an almost perfect match.
The second part of the Waddingtons’
visit to Bon Echo began the following day when they set out first by
canoe and later on foot armed with 20 photos of 12 works painted by
Group members at Bon Echo. When I met them the following day their
expressions were triumphant and they informed me that Monday's
findings represented “the most successful day we have ever had in
our history of searching”. Of the 12 photographed works they
brought, they had successfully located six. They shared one of the
locations with me, and I followed them to the tip of a spit that juts
out into Mazinaw Lake from where A.J Casson painted Bon Echo. They
also found Arthur Lismer's, The Sheep's Nose, which depicts a part of
the rock face now commonly known in the park as Turtle Rock.
They also located a second Lismer work
depicting an old dock and canoers by discovering the remnants of the
dock, from which they were able to locate the scenery behind. Most of
the works they found were by A.J. Casson, which were painted further
down the bay and which they located by canoe.
Jim said the work they do is like
solving a puzzle. “Each one is different kind of puzzle and when
the place is not mentioned in the title of the work as was the case
with Bent Pine by A. Y. Jackson, we are then forced to find clues in
other ways and it can be very exciting.” Sue added, 'When we find
one of the views we have no trouble understanding why the painters
painted them. And you have to keep in mind that the ones we tend to
find are the magnificent and more obvious ones.”
The Waddingtons were greatly impressed
with the beauty of Bon Echo and were thrilled to come across an
artist painting the famed rock face, proving that the Bon Echo
landscape still continues to inspire artists today with its
magnificence and awe-inspiring views.
The Waddingtons will be presenting
their latest finds at Bon Echo to the pubic at the Friends of Bon
Echo annual AGM that will take place in the fall of 2011.
Next, they will be heading back to
Killarney Park in October to locate a painting by A. J. Casson called
Trout Lake.
To view their presentation online
please visit www.groupofseven.ca
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